« Soft clay calls to be touched. A piece is taken in hand.
As it is pressed, one contemplates the form which has just been born.
In doing so, no one can remained indifferent, unphased...
It is unthinkable! How could one contemplate touching without being touched in response. »
Daniel de Montmollin, Eloge de l’empreinte,
Editions de la revue de la céramique et du verre, p. 24